Faded Glory – With Nick JS Thompson
My most recent show was a two-person show with my friend and long-time collaborator Nick JS Thompson. For FADED GLORY, we decided to approach the show with a strong curatorial vision, hanging the heterogenous works experimentally, so as to combine Nick’s photography with my paintings. The show opened at Book & Job gallery in San Francisco on the 7th of February in the Tenderloin District of San Francisco.
We made the decision early on to both work in black and white and only on paper. We also decided to focus on interiors, with a strong pattern-based approach – many of the work featured plants and fabric patterns, but with no figures.
As well as this, we decided not to frame any of the works, and to affix them directly to the walls of the gallery, so that there would be as few constraints as possible in terms of combining works, and allowing them to disrupt one another. We wanted the effect to be one that is somewhat jarring, as if the works fit together, but only by altering each other quite aggressively. We made the works with the other in mind, but we didn’t make them together, and we didn’t plan how they wee going to interact when we were making them.
Face Value 3
Overall, I very much enjoyed the process of allowing my works to be so drastically altered, but perhaps only because I trusted the person doing the alterations. I am taking part in another show in April entitled Face Value 3, which is curated by Mizog Art’s founder Gary Mansfield. (I was recently interviewed on the Mizog Art podcast, which you can listen to HERE). In this show, which is in aid of the Katie Piper Foundation, I will be donating a work which will be altered by another artist, as well as altering a piece by Jessica Albarn. This show opens on the 18th of April at Jealous Gallery.
For more photos of exhibitions I’ve had recently, check out my show Trinity at The Saatchi Gallery, which is still up.