exhibition

GILDED CHAOS

intheirentrails

ForBroadmoorNB

 

 

 

 

 

 

 

 

Gilded Chaos opens in just under two weeks. Here are ‘In Their Entrails’ (top) and ‘For Broadmoor’ (bottom) Click photos to enlarge. All works will be new electrical tape drawings, created in 2015, never before exhibited.

Private View – 6pm-9pm January 14th BEERS Contemporary Near Old Street Tube in East London. The show then runs until the 13th of February.

Join the Facebook event for more information

https://www.facebook.com/events/728806497254488/

Widewalls did a nice post about it too – http://www.widewalls.ch/benjamin-murphy-exhibition-beers-london/

www.beerslondon.com

www.benjaminmurphy.info

 

Also presales have already begun, please email the gallery to enquire – info@beerslondon.com

Exquisite Corpse with Carne Griffiths

benjaminmurphycarnegriffithsThis Saturday myself and Carne Griffiths will be doing a live drawing game of Consequences at Inkd Gallery in Brighton.

Tickets are £50 but there are only two places left so head over to www.ink-d.co.uk quicksharp.

the event is sponsored by Derwent Pens and St. Cuthberts Mill.

Decline of Conscience

nick_js_thompson_06-DoCwebRooms Magazine asked me to curate a show with them, the first in their series of many. I chose the photographer (and good friend of mine) Nick JS Thompson, and his series of works documenting the dereliction and destruction of the Brutalist housing project The Heygate Estate in South London.

The show opens this Thursday at Hundred Years Gallery in Hoxton.

Event details at the below link:

https://www.facebook.com/events/113997528959797/

The estate, left empty for 7 years after the 3,000 residents were “decanted” is now being regenerated although only 3% of the new homes will be available for social renting. This disparity in planned housing echoes what is happening across much of London.

The Brutalist architecture of the Heygate, which was completed in 1974, was hailed as a new modern style of living. This perception changed over time and towards the end of the Estate’s life it became renowned for crime, and dilapidation. The residents of Heygate have been rehomed due to this new construction project, which adds to the increasing gentrification of the area.

Many architects, planners and professionals have analysed the site over the years and many came to the conclusion that it could easily be regenerated (for less than demolishing and starting again)using the existing, structurally sound buildings. One previous estimate of what it would cost to refurbish the Heygate Estate to a modern standard was £35m. The cost of evicting the residents for Southwark Council was £65.5m and the site was sold for £55m but Lend Lease (the developers) are expected to make a profit of £195m from the sale of new flats.

The Heygate Estate’s fate differs greatly from the fortunes of other Brutalist housing projects such as The Barbican or Trellick Tower, which have both been awarded Grade II listing status.

 

Hope to see you there!

 

The Wallace Collection/ Soho Revue

Yesterday I was involved in two charity exhibitions for some great causes.

 

The first was in aid of Reprieve and was hosted at The Wallace Collection in London. There was only two artworks in the auction, a ceramic man by Grayson Perry, and a portrait by myself.Mine raised £2500 for the charity.

 

The second was in aid of The Hepatitis C Trust and hosted at Soho Revue. Art On A Postcard had works from some amazing artists, including:

Peter Blake, The Chapman Brothers, Michael Craig-Martin, David Shrigley, Andrew Salgado, Julian Opie, Polly Morgan, Harland Miller, Bob and Roberta Smith, Rowan Newton, David Bray, Ryca, and LOADS more.

This one is still open, and the works are viewable/ buyable online at this link:

http://theauctionroom.com/auctions/149

 

Mine may or may not be #69 and #70…

Solo show – Jan 2016

IMG_5498 GCclose

 

I’m very pleased to announce I will be having my next London solo show (and first in the city for over a year) in January 2016.

I can’t give too much a way yet but It is with a gallery that I’ve respected for a long time and really wanted to exhibit with.

The work is also the most precise and detailed I have ever done, and is looking really good so far.

Attached is a small preview of one of the smaller, less-detailed pieces in the show, coin for scale.

It will predominately contain electrical tape works, but also some new and exciting mediums I haven’t exhibited before.

 

For press release email info@benjaminmurphy.info and you will be added to the list for once it’s sent out towards the end of the year.

Benjamin Murphy