I am incredibly pleased that Olivia Colman won best actress at the Oscars a while ago. The Favourite is a great film, and Olivia is seriously the loveliest, and most down-to-earth person I’ve ever met.
In 2017 she commissioned this portrait of her and her husband Ed, and they were both such a pleasure to draw. I went to their house a few times, and took photos of them, as well as objects and patterns from throughout their house that had some sentimental value to them. I then combined all of these elements into the artwork below.
I am very happy to announce that my newest print Envy For The Living sold out in just 24 hours! It sold out so fast that I didn’t have a chance to blog this printing process video, which was expertly made by Nick JS Thompson.
I’d like to say a MASSIVE thank you to everyone who bought one, and I’m sorry to anyone who missed out. My next print release won’t be for a while, but if you’d like to be the first to hear of any new releases, please sign up to my mailing list at the top right of this page.
I spent days drawing and carving the image into a sheet of birch, and weeks carving out the negative space. I am very grateful for the print studio at the university where I lecture (University of the Arts London) allowing me to use this incredible Columbian press from the early 1900s.
2018 was a massive year for me, I’ve been incredibly lucky to have been involved in some amazing projects, so I thought I’d compile a little list of highlights and thanks. It was a VERY busy year, and as such there is a lot to cover; inevitably I am going to miss some stuff accidentally, and if I do miss you our I’m sorry, I’ll update the list as and when. That’s also the reason I am so late to the party in posting this.
One of the biggest highlights of the year was my solo show Lavish Entropy with Delphian Gallery in the summer, which was a lot of fun being able to host my own show at my gallery – possibly the biggest thanks of all to my business partner Nick JS Thompson.
Lavish Entropy at Delphian Gallery
I have been hired as an associate lecturer at University of the Arts London, which I’m super happy about. I have a deep love of learning (I wish I did whilst I was actually at uni though), and I love being in such a buzzing hub of creativity – thanks to my new boss Charley Peters for this.
I have exhibited at The Saatchi Gallery three times this year, the latter of the three shows being one in which I had a lot of wall space to myself to do what I like with, and so felt like a mini solo show. Thanks to all at the Saatchi for this.
At my solo show, I also released my first play Flowering Desolation, which is written entirely using single sentences harvested from over 80 sources of classic literature. It is available to download for free HERE. Thanks to Kenton Thomas for all your help with formatting it, and being the first to read it and give me feedback.
For my solo show catalogue I asked one of my all time favourite artists Andrew Salgado to write a little something. I was blown away by the response, which was a 1000 word essay, and summed me up better than I ever could have done myself.
The gallery I co-own Delphian Gallery has really taken off, and I’m super happy to have been included in such a great project. We launched a little over a year ago, and am already exhibiting some of my favourite contemporary artists. These include solo shows with Jordy Kerwick, Florence Hutchings, and Carson Lancaster – HUGE thanks to them.
Also a big thanks to Stuart Waplington and all at theprintspace for allowing us to do some shows in their space, and helping out with everything.
The Delphian Open Call was incredible, receiving over 8,000 submissions which was CRAZY. The overall winner was Florence Hutchings, and the other winners included Igor Moritz, Geoffrey Bohm, Jonathan Edelhuber, Bertrand Fournier, Ellie Geary, Philip Gerald, Rosie Gilligan, Klaus Is Coming, and loads more – thank you all.
I’m excited to be collaborating with M&C Saatchi and Hemyca for London Fashion Week this September. We will be creating an installation in the M&C Saatchi offices in Soho for the models to walk on, which will involve me doing some tape art on the floor.
The above drawing is a sketchbook page that I did recently, and isn’t really related to this post but I thought it was nice so here it is.
Also I found a few APs of previously sold out prints and have added them to my shop, link above.